1. Happy Calluses Day everyone!BUY CALLUSES THROUGH THE CHAPTER MUSIC WEBSITEMelbourne exploratory synth-pop four-piece Pikelet return with third album Calluses, the follow-up to 2010’s Australian Music Prize-shortlisted Stem.Recorded with John Lee (Lost Animal, Mountains In the Sky), Callusesis a darker, denser beast than its predecessors. The celebrated Stem can now be seen as a transitional record, bridging the gap between the loop-driven solo project of Evelyn Morris (as heard on debut 2007 albumPikelet) and the fully-fledged live band that came together in 2009, comprising Evelyn, drummer Matthew Cox (Witch Hats), bassist/guitarist Tarquin Manek (Bum Creek) and synth wizard Shags Chamberlain (Lost Animal).Now with four years under their belt, Pikelet are captured on Calluses in full flight, confidently exploring unknown territory. From the post-apocalyptic eeriness of Pressure Cooker (a teaser track premiered on Spin.com in May) to the frenetic introspection of first single Combo, to the 60s Euro space jazz of Forward Motion, Calluses is bold, ambitious and layered, a record that rewards repeated listens with subtle details and hypnotic depths.Evelyn and Shags met as backing musicians for Ariel Pink on his first Australian tour in 2009, and soon the Pikelet band was born. When Stem emerged in 2010, the expansion of vision was immediately apparent. The live band brought a cosmic edge that infiltrated Evelyn’s inquisitive style with kaleidoscopic results. Glowing reviews, Triple J rotation, community radio feature albums, and a place on the 2010 Australian Music Prize shortlist followed.Calluses is a remarkable statement of artistic intent and new purpose.

    Happy Calluses Day everyone!

    BUY CALLUSES THROUGH THE CHAPTER MUSIC WEBSITE

    Melbourne exploratory synth-pop four-piece Pikelet return with third album Calluses, the follow-up to 2010’s Australian Music Prize-shortlisted Stem.

    Recorded with John Lee (Lost Animal, Mountains In the Sky), Callusesis a darker, denser beast than its predecessors. The celebrated Stem can now be seen as a transitional record, bridging the gap between the loop-driven solo project of Evelyn Morris (as heard on debut 2007 albumPikelet) and the fully-fledged live band that came together in 2009, comprising Evelyn, drummer Matthew Cox (Witch Hats), bassist/guitarist Tarquin Manek (Bum Creek) and synth wizard Shags Chamberlain (Lost Animal).

    Now with four years under their belt, Pikelet are captured on Calluses in full flight, confidently exploring unknown territory. From the post-apocalyptic eeriness of Pressure Cooker (a teaser track premiered on Spin.com in May) to the frenetic introspection of first single Combo, to the 60s Euro space jazz of Forward Motion, Calluses is bold, ambitious and layered, a record that rewards repeated listens with subtle details and hypnotic depths.

    Evelyn and Shags met as backing musicians for Ariel Pink on his first Australian tour in 2009, and soon the Pikelet band was born. When Stem emerged in 2010, the expansion of vision was immediately apparent. The live band brought a cosmic edge that infiltrated Evelyn’s inquisitive style with kaleidoscopic results. Glowing reviews, Triple J rotation, community radio feature albums, and a place on the 2010 Australian Music Prize shortlist followed.

    Calluses is a remarkable statement of artistic intent and new purpose.